By David W. Dunlap
In 1914, an Easter section in The Times that showed paintings from the Metropolitan Museum was a sensation. But there was something off about Fra Angelico’s ‘The Crucifixion.’
By David W. Dunlap
In 1914, an Easter section in The Times that showed paintings from the Metropolitan Museum was a sensation. But there was something off about Fra Angelico’s ‘The Crucifixion.’
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